Curated Inspiration
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Photography

Tamara Dean

A Monograph

Curated by Anson Smart
  • PhotographerTamara Dean
  • PublisherTamara Dean published by Thames & Hudson Australia Pty Ltd, 2022

Anson Smart Like Darren Sylvester’s work seeing Tamara Dean’s large scale photographic works hanging in various homes I have photographed caught my eye and curiosity. Her large scale prints feel intimate and engaging often captured in beautiful natural settings. The course and tone of her work also draw you in.

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Phototropism, 2022, Archival pigment print on cotton rag. 75 × 100 cm / 120 × 160 cm. Previously unreleased

A Monograph, 2022

A Monograph brings together the complete arc of Tamara Dean's photographic practice in the first publication dedicated to her work. Published by Thames & Hudson Australia in 2022, Dean's debut monograph spans more than 176 pages and traces over a decade of her artistic practice. Organised chronologically, the book follows the evolution of her major series, with each chapter introduced by Dean's own reflections, offering readers a deeper understanding of the ideas, experiences and creative decisions behind the photographs. More than a retrospective, it reveals how recurring themes have developed throughout her career, creating a rich portrait of an artist whose work continues to explore the relationship between humanity and the natural world.

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Dusty Miller (Senecio viravira), Western Wild Garden in Winter, 2018, Archival pigment print on cotton rag 75 × 100 cm. Collection of the Shoalhaven Regional Gallery, NSW; Private collection

Tamara Dean

One of Australia's leading photomedia artists, Tamara Dean works across photography, installation and moving image, creating images that feel both cinematic and deeply contemplative. Her practice grew from a background in photojournalism, where she developed an instinct for observing people and working collaboratively with her subjects. That documentary sensitivity remains at the heart of her art today, even as her photographs have become increasingly constructed and symbolic. Her work has been widely exhibited, acquired by major public collections including the National Gallery of Australia, and recognised through awards such as the Moran Contemporary Photographic Prize, the Josephine Ulrick & Win Schubert Photography Award and the Olive Cotton Award.

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Humanity Within Nature

Dean's photographs are built around the idea that humans are not separate from nature but intrinsically part of it. Rather than treating the landscape as a backdrop, she allows bodies to disappear into forests, float beneath the surface of water or echo the forms of surrounding plants. The result is a visual language in which people seem to exist as naturally as the environments they inhabit. Throughout the book, recurring series explore our connection to the earth through moments of stillness, movement and quiet ritual, inviting viewers to look beyond the surface of each image and consider humanity's place within a fragile ecosystem.

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Sacred Lotus (Nelumbo nucifera) in Autumn, 2017 Archival pigment print on cotton rag 153.5 × 200 cm Winner of the 2018 Josephine Ulrick & Win Schubert Photographic Award. Collection of HOTA, Gold Coast, Qld; Collection of the Art Gallery of South Australia; Collection of the Newcastle Art Gallery, NSW; Balnaves Collection, NSW; Private collection

Themes and Visual Language

Across her practice, Dean returns to ideas of transformation, vulnerability and contemporary rites of passage. Water has become one of her most powerful recurring symbols, representing renewal, memory and life itself, while also reflecting the growing realities of climate change through rising seas, floods and environmental loss. Her photographs often balance beauty with unease, creating dreamlike scenes that encourage reflection on the future of the natural world. Although carefully staged, they never feel artificial, instead carrying an emotional honesty that allows environmental concerns to emerge through atmosphere rather than statement.

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Hollywood (Auranticarpa rhombifolia) in Winter, 2017 Archival pigment print on cotton rag 75 × 100 cm Private collection

Process and Perspective

Dean describes her creative process as intuitive, allowing ideas to develop slowly before they are realised. Concepts can remain with her for months or even years before the right location, season or visual language comes together. During each shoot, she encourages her subjects to respond naturally to the landscape, using movement and gesture to create compositions that feel spontaneous despite their careful planning. This sensitivity to people, light and place gives her photographs a distinctive sense of balance, where choreography, storytelling and observation exist within a single frame.

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Throughout A Monograph, Dean also shares personal stories that reveal how many of her works are rooted in formative experiences from her own life, offering new context to images that are often both intimate and universal.

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A Lasting Body of Work

Together, the photographs in A Monograph reveal a practice shaped by curiosity, patience and an enduring fascination with the connections between people and the environments they inhabit. The book not only charts the evolution of Tamara Dean's artistic voice but also demonstrates the consistency of the ideas that have guided her from the beginning. By combining striking imagery with the artist's own reflections, A Monograph becomes both a visual archive and an intimate portrait of an artist whose work continues to inspire a deeper appreciation of nature, human connection and the world we inhabit.

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Endangered 1, 2018. Archival pigment print on cotton rag 133 × 200 cm Winner of the 2018. Moran Contemporary Photographic Prize Moran Prize Collection; Private collection
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