BJARKE INGELS Muller Van Severen distill their furniture to such an extreme degree of simplicity that each object appears almost as the diagram or wireframe of a chair, a table, or a bookshelf. Within this essential vocabulary, they explore a surprisingly expansive palette: stone, metal, lacquer, and even the color-saturated plastic cutting boards used in the food industry.

Ingvar Kenne A photographer working with the intimate and domestic. This time it is a return as an adult to Anu’s birthplace on the outskirts of New Dehli, India, over the course of several trips. GHAR means HOME in Hindi and there is something instantly unique in her framing. The colors are light and otherworldly, dreamlike if you like. The intimacy is palpable. The compositions exquisite. The square format is used for good reason.

You realise Anu is “home” yet she is feeling alienation and struggles to belong. Through the fragments of daily life, brought together in this collection, she slowly tries to piece together what it is to feel Indian again, after a life lived in Australia. I love how the seemingly mundane in her work, is given utmost significance and poignance.