Raquel Font Torre 41 made me understand that vegetation can be as important as concrete or steel in the construction of space. In Kalach's work, nature never appears as an element added to the project, but as that which ultimately constructs its atmosphere and constitutes its architecture. I am inspired by the naturalness with which the building opens itself towards Chapultepec, the elegance of its structural honesty, and the generosity of its green spaces.

Frederic Aranda This large-format group portrait by Carolyn Mendelsohn is a powerful, contemporary reimagining of historical wartime efforts. It stands as a direct photographic response to Flora Lion’s 1918 oil painting, Women’s Canteen at Phoenix Works, Bradford, which depicted young women in a munitions factory canteen. While Lion documented a moment where women were newly liberated by industrial employment, marking the turbulent dawn of their journey toward societal empowerment, Mendelsohn modernises this narrative. Through meticulous staging and crisp digital rendering, she honors how far that trajectory has traveled, celebrating the achievements of Bradford’s women one century later…